Switzerland, technically, does not belong to the European Union, although they share some interesting agreements, like the one which allows me, finally, to live and work here. Nor do they belong to NATO, and they only very recently joined the United Nations. They go it alone, do things their way, don’t want to be dictated to by Brussels, let alone Washington.
So on first glance there might seem to be a slight irony to the fact that they’re hosting, together with Austria (an EU member) this year’s Euro 2008, the European football (or soccer if you prefer) championship held every four years. But then of course all these categorizations and groupings are as arbitrary and fundamentally meaningless as many words in the dictionary. Turkey is participating in the championship and may well win it, although we know that many EU members are opposed to Turkey joining the EU, and many people would argue that Turkey is not Europe. But that is matter for another debate; you could also argue that Russia is as European, or not, as Turkey…
I have been watching many of the games over the last two weeks. It feels like a civic duty: streets, supermarkets, shops, cars, houses are all festooned with flags not only from Switzerland, but also Italy, Spain, Turkey, Portugal, representing large and influential immigrant communities. Whenever a team scores a goal, you can hear horns blowing, sometimes in the house next door (at least they don’t shoot, like in Croatia). After the decisive victory, supporters of the winning teams drive around town honking. Apparently they are allowed by law to half an hour, but after Spain’s victory last night I was hearing honking well into the night. It’s only once every four years (two if you count the World Cup), so the police tend to be indulgent. They may even be out honking themselves, if they’re second generation immigrants…
Four years ago I was in Greece when the Greek team won the championship. It was wild, unheard of, one of Europe’s dark horses, little Greece beating host country Portugal in the final. I was on the staid, religious island of Tinos and even the priests were shouting and screaming. Fireworks outside the churches; honking all night long. Friends in Athens said they did not sleep.
What is it about this football fever that makes everyone go wild? Why do I, a perfectly sedate and graying woman, sit all alone in front of the television screaming “Allez Ribé!” or “Ajde Hrvatska!” or “Elate paidia!” Is it memories of the 1998 World Cup final when Croatia lost to France, but not before scoring a goal that showed me briefly, in the café on Hvar where I sat watching the game surrounded by Croatian nationalists, how a collective fever can blind you, intoxicate you, make you do ridiculous and dangerous things you would never do otherwise? Football is a tremendous safety valve; but it is also a fervent way of feeling human, of sharing with strangers, of knowing what it is to be together on this tiny planet and having to get along. Friends who were in Paris in 1998 or Rome in 2006 say how unforgettable the experience was—as was my time on Tinos. I am deeply sorry the Swiss team have not made it to the final: their generosity, their hospitality, surely makes them as deserving as Greece, or any host country in the end. But especially one that is more truly European than most.
But then, the Swiss have Roger Federer. And Wimbledon has just started…

Flag photo courtesy Getty images

Last week I was in my favorite bookstore, Stacey’s, on Market Street in San Francisco, trying to buy a copy of Henry Fielding’s Tom Jones. Why I was looking for Tom Jones is a long story which I won’t go into. What I will mention is that, first of all, Stacey’s is an endangered species. It is one of the last independent bookstores in San Francisco. Since I began working here, I have seen half a dozen independent bookstores close, most recently Cody’s and Clean Well Lighted Place, within a few weeks of each other. When I go into a place like Stacey’s I almost feel endangered myself: there are fewer and fewer customers, and seemingly endless piles of shiny, alluring books that no one has time to read anymore. As an (erstwhile) writer in a place like that, I feel both the awed reverence that a worshipper can feel in a temple, and the vague unease that I am on a leaky ship without lifeboats. There is a sadness about the place, now.
Today we had the first of our “winter storms.” Read—where California is concerned—heavy, relentless rain, and wild winds, up to 80 miles an hour. Trees across the road. Surges of waves in the normally tranquil bay. Power outages for sure, up to a million homes, from Santa Rosa to San Jose. Traffic disrupted, accidents, freeway closures.
power went out at 4 a.m. and has still not returned sixteen hours later; the light from outdoors was dim and uncooperative: Thou shalt not read, sayeth the Lord. Candles are of little use when you have a 530 page novel to plough through; and this blog is being written on precious battery time (3:31 at the moment, and I also have a film to watch).
I recently flew from San Francisco to Dallas on my way to visit a friend in the Deep South. Ever mindful of finding a reasonably priced flight, given the recent hikes in air fare, I capitulated to the worst case scenario: a red eye for my outbound flight, a return on Christmas day. You gets what you pays for.
It seems I’m not alone.
Every now and again you find yourself in a strange wrinkle of synchronicity. You think of someone and they call; you find your friends reading the same book at the same time; you rant at lunchtime about the perfidy of Blackberries and find an editorial on the subject in the paper that very evening. Coincidence? Zeitgeist? A periodically more alert sensibility? No one has figured it out satisfactorily, but it’s intriguing when it happens, and it can even deepen your understanding of time or your engagement with the world and its mysteries.Recently, I watched two films back to back that couldn’t have been more different and more similar at the same time. They landed randomly in my mailbox through the mystery that is a “Netflix” queue—I selected the films weeks ago and with no intention whatsoever of having a mini-festival of a certain type of film. But in fact that is what happened, and what I’m writing about today; call it the Women’s Choices Film Festival, or, more ominously, The Women and Marriage Film Festival, or more reassuringly The Women and Careers Film Festival…
Just a few words for the passing of someone extraordinary. Larger than life, to be sure; larger than death too, as his voice will stay with us, after a fashion, thanks to technology, although an mp3 can never compare with a live performance. I never had the good fortune to hear him live, I’m not sure I’ve ever even heard him on an excellent sound system. My only recording, I’m ashamed to say, is a cassette copied from a cassette, a hodge podge of O Sole mio and Ave Maria and Nessun Dorma. A cassette that accompanied me on a sailboat trip to Mexico, through storms both natural and of the man-made, emotional variety. But I have always known the power of that voice, how it can move you to tears even from the tinny speaker of a second-rate television.
This has been a hard weekend. One where in my personal zone I have gone through a great searing change; and on the global scale, one where a whole country has been blazing out of control, victim to greed and carelessness and the planet’s own revenge.
Yes, it’s been a while.
The interview was somehow lackluster; maybe I felt I already knew everything he was saying, or not enough, as I haven’t yet read his latest novel. Or maybe it was the warm weather and the Prosecco I’d had with dinner. The sound was poor and I found myself wishing I were at home listening to the interview on the radio. But I was with a friend and we were still enjoying a nice evening, and had bought copies of the latest book to have signed after the interview.
If I were a teacher of creative writing, I would assign one task to my students for the year, and be paid handsomely for doing very little: I would have them read George Gissing’s New Grub Street over and over until they were all convinced they would change their degree to something useful like computer science or quantum physics, and thereby spare the world the spectacle of yet another struggling writer languishing in poverty, tuberculosis and marital strife.
It was an exceptionally warm evening—far too lovely to spend in a dark room. A rare day of summer weather in the Bay Area and there we were, about to spend three hours indoors with hundreds of equally hot bodies, in a cinema—a neighborhood one at that—hardly renowned for its modern air conditioning installation.
In the middle of the afternoon yesterday I felt a strange sad mood settle over me like a stubborn cloud, and I could find, at first, no explanation for it. I went about my work, spoke to colleagues, rode the bus home, under my little cartoon-character cloud. Only when I’d relaxed, in various ways, did another metaphorical meteorological phenomenon reveal the reasons for my cloud: a bolt from the blue told me it was because of the presidential debate we had watched earlier that day at work, during lunch and even well beyond.
Some weeks ago a friend of mine who is a professor at a college back east called to tell me he was depressed. We’ve known each other for thirty years or more; we were students together in a class of Modern Greek in Athens. With our professor we had a regular table at a local taverna where we liberally dosed our horiatiki salad days with retsina, conversation, and sexual innuendo. He was into the Greek girls; I was into the professor. Anyway, that was a long time ago.
etymology is black bile, hardly an attractive notion. One of the four humors: I cannot see myself as choleric, or sanguine, or phlegmatic, so I’ve always opted for the melancholic side of things. Melancholy has a bad rap, especially in these days of enforced cheerfulness and tooth whitener smiles. The word melancholy is onomatopoeic to me, something about its consonants and rhythm suggestive of languor, gentle sadness, nostalgia. Sitting alone on a veranda watching the sun go down, missing some one, but gently.
She was born in the last of the colonial years, old enough to automatically become French at a later time in her life when she would have nowhere else to go. She was a teacher, worked at the Alliance Française in Saigon for seventeen years. She left the country, with her family, in 1981; they risked their lives on a leaky boat, more afraid of the victorious regime than of the pirates in the south China sea. There is a certain resonance in French to the English words “boat-people” that is lost in English, because it is reserved for that time when to leave Vietnam meant to survive, somehow, the terrible aftermath of a lost war. And when she says it, in her voice that is soft and questioning with a quiet humor, there is a resignation and dignity that comes from somewhere inside her, a place we can only understand intellectually.
Juliette Gréco and Edith Piaf, and perhaps others as well. The woman in the song is expressing a feeling which could be shared by many: she hates Sundays, finds them “pretentious” and rose-colored and filled with pretexts for the middle classes to parade in crowds and act smug, while the man she loves has to go to work. If only he had Sundays off, she says, she would love Sundays—and show it—so well that other people would envy her happiness.The subtext of her little musical scenario is the loneliness that Sundays inflict upon those who are neither en couple or en famille. And while she clearly sees the ritual that is behind the traditional Sunday—church, family dinners, after-dinner walks, excursions to the country or trips to museums, along with the pretense (we’re not lonely because we’re doing what normal people do on a Sunday), she also envies these traditional activities, even those who “make love because they have nothing else to do…”